DPP: Exercise 22: Addition

Moving up the scale of alteration, we come to an exercise requiring the addition of something not in the original capture.  But we begin by producing an image similar to those in previous exercises employing post processing techniques to overcome the limitations of camera technology.

DPP: Exercise 21: Enhancement

Here's a guy who's beard caught my attention. I had my camera in hand, asked for a photo, clicked twice on whatever settings were selected from a previous image, and he was away.  The original image direct from the camera is below, as well as large copies of the two above.  The one on the left represent global adjustments, while the one on the right the specific adjustments requested in this exercise:  brightening the face and eyes, as well as adding a bit more color (through saturation) of the eyes.

DPP: Exercise 20: Improvement or Interpretation?

This exercise is intended to explore alterations that fall somewhere between correction and enhancement.  The former are things like removing dust and lens flare, while the latter are efforts to improve (a word descriptive of the photographer's values) on optical and sensor technology.  Admittedly, the line between these two is not always clear.

DPP: Exercise 19: Correction

I am awaiting return of prints to do proper feedback assessment from Assignment 2.  My tutors says they are in the mail and that I shouldn't feel constrained to move on to exercises in part four.  

Moving on then.