What struck me most about the film was Natchtwey himself. He reminds me a bit of me, of someone who has spent a good deal of his life living outside his own culture and in doing so learned to modify his behavior in ways that insure his continued acceptance and survival. He speaks slowly and articulates clearly. There is only a trace of an accent. His words are careful and deliberate. As someone regularly in high stress situations, he has learned to manage his emotions and doesn't seem like the kind of person quick to anger, nor quick to excite. His story of waking up one morning and deciding to be a war photographer seems mostly believable. He seems like the kind of person I would like to know.
Photographically, it was interesting to see someone working at the end of the analog age. Most of the film seems to have been shot in the late 1990s and there are several scenes showing the photogrpaher changing film or labeling canisters. I was surprised at how closely he gets to grieving subjects. Just watching him made me feel uncomfortable.
I don't plan on being a war photographer, but it was inspiring to witness someone giving his life to documenting suffering. I'm afraid not many of us could do even half as much.
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