The first thing I remember about cameras is that my father
had one. In fact he had several during
his life, including what I believe was an 8mm movie camera. He shot family holidays or church and school
events. Other people around me had cameras,
but I wasn’t curious.
In fact, I didn’t
have my own camera until I was 27 years old.
I bought a point-and-shoot Vivitar before leaving for Japan in the
summer of 1988. Once there I took the
equivalent of my father’s snapshots and made prints to send back home to
illustrate letters about my life in Japan.
Otherwise, I wasn’t really interested in playing with the camera. I gave that Vivitar to a student in the early
00’s after I went digital. That purchase
changed my relationship to the camera. I
could take as many photos as I wanted without regard to developing costs,
and share as many as I wanted without regard to printing.
Another turning point came on a trip to Sri Lanka. On a sunset walk along the Lanka seashore, I
managed to take the Galle fort in silhouette against the evening sky. I did this using the
camera’s preset features for capturing images in low light. When I saw the result on my computer a week
later, I had my first inkling of the possibility of capturing arresting images,
and confirmation that by fiddling with the controls I could produce more
interesting results.