In the days before and after the trip, I took walks around the neighborhoods of Satwa and Karama, working class areas inhabited largely by South Asians and Filipinos. A few of those images are included.
The first exercise was to capture images demonstrating diagonal lines. This can be accomplished through perspective, Freeman suggests, of setting the lens at an angle to a straight line, as I have done here in the image of the alley, or of the stairs. As the alley shot in particular makes clear, the diagonals provide a sense of depth.
The image of the bay in Musandam demonstrates quite well several diagonals all pointing toward a village left center. With the image of the tree, I was trying to capture it's angle to the house but perhaps the limbs reaching back toward the building camouflage the angle at which the tree reaches into the road.
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